The life and work of lesbian poet remembered tonight at Charis
While the word “literary” may bring up bad memories of memorizing Chaucer in high school English class, Franklin Abbott, co-founder of the Atlanta Queer Literary Festival, promises that his event is nothing like that.
“Not that we aren’t literary,” Abbott says. “But many people think it is somehow or other like graduate school, high brow, and doesn’t resonate with them personally … like the dreaded English class you had to take in college. I can promise there is useful stuff and it is entertaining and engaging. We don’t put on boring events.”
This year marks the fifth anniversary of the grassroots festival. Keynote speakers for 2011 are Atlanta’s own Theresa Davis, the reigning champion of the Women of the World poetry slam, and Bryan Borland of Little Rock, Ark., a Pushcart-nominated poet and owner of Sibling Rivalry Press.
Atlanta Queer Literary Festival wraps up this weekend
Queer writing has come a long way since the scholarly secrets of Shakespeare’s sonnets, Walt Whitman’s naked bathers, and the scandalous behavior of bad girls like H.D. and Edna St. Vincent Millay.
Post-Stonewall, post-AIDS, and post-big-box bookstores, the changing landscape of queer lit offers perhaps the greatest diversity of writers, audiences, and venues ever.
It is in this context that this year’s Atlanta Queer Literary Festival shows signs of real growth.
Like New Orleans’ Saints & Sinners litfest in May, Atlanta’s AQLF in October has offered both local and national queer literary audiences a strong forum in the Southeast — something that had been missing until less than a decade ago.